Sunday, November 27, 2016

THE CHRISTMAS DILEMMA. “SILENT NIGHT” OR “HARK THE HERALD ANGELS SING”?



 Some time ago, a composition that required the orchestra to sit in silence for four minutes and 33 seconds threw the musical world into controversy. During that time, the only sound was musicians turning blank pages of their “scores” and, probably, by the audience shifting uneasily in their seats caused

Hailed by some as innovative or avant-garde, it was generally dismissed as a piece of musical fraud. What the “composer” had in mind is not clear. It might have been a protest against the emptiness of the contemporary world. Perhaps it was a cry for help against the endless noise that explodes all around us. In that case, we have some sympathy for him.

In your local store, you are inevitably immersed in streams of “muzak” flowing down the aisles; in the street you are deafened by the roar of traffic; seek solace in the countryside and somebody’s radio invades your private world, or a Boeing 777 roars overhead; turn your TV to a favourite program and a thunderous surge of “background” music obliterates what you really want to hear.

Enter some churches and, apart from an interlude called the sermon, the musicians are hardly ever silent. Perhaps that’s why Matt Redman wrote his insightful song When the Music Fades, with its thought-provoking lines, “I’ll bring you more than a song, for a song is not what you have required . . . I’m coming back to the heart of worship, and it’s all about you, Jesus.”

As a small boy with an over-active imagination, I overcame fear of going upstairs at night by stamping on the stairs and singing or whistling loudly, in the belief that this noisy display would warn whatever dark thing lurked upstairs that I was not afraid. In later life, I put away this childish notion understanding real power is not measured in decibels, loudness cannot hide weakness, and very often “empty vessels make most noise.”

Against the background of a world in geophysical and political upheaval, Psalm 46 called for silence, “Be still, and know that I am God” (v 10). Like Elijah on Mount Horeb (1 Kings 19:11–12), we eventually discover the presence of God is often revealed not in impressive supernatural manifestations but in a low whisper heard only by a humble, listening ear.

Maybe we are afraid of silence because we don’t know how to handle it. We fail to distinguish between stillness and deadness, and, like Peter on the Mount of Transfiguration (Mark 9:5–8), feel we must always say or do something to make the occasion meaningful, when God is actually calling us to listen to Jesus.

To argue that only times of quietness reveal the presence of God is foolish. The Scriptures are full of exhortations to praise the Lord with songs and shouts of praise, trumpets and “loud sounding cymbals” but sometimes we may have over-emphasised the latter and given ourselves concussion from too much percussion. We need to get the balance right.

Christmas presents us with a typical dilemma: is it to be Silent Night or Hark! The Herald Angels Sing? Our answer is likely to be personal music taste rather than theology, or simply due to the mood of the moment. But that’s to be on dangerous ground. Really, they’re different sides of the same coin and how it falls depends very much, in more senses than one, on how you spin it.


Excerpted from Reflections: Looking at Timeless Truths in a Changing World, with permission, copyright © John Lancaster 2010

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